Noor Abed and Haig Aivazian, Mophradat Read the Room Festival, Kaaitheatre, Brussels. Photo credit: Rita Habib, 2024
"Don’t be sad. No one will manage to get rid of us. Palestine is a fish bone lodged in the world’s throat. No one will manage to swallow it. Don’t worry.”
– The last words of Wadih Sanbar, spoken to his son, the Palestinian historian and poet Elias Sanbar.
Noor Abed and Haig Aivazian enact a score composed of sound, text, and movement. Through a series of guttural sounds; gasps, coughs, hums and hisses, the pair organise the central themes of the text through various parts of their noses, mouths, larynxes, tracheae and lungs, each organ embodying and introducing a series of affective and textual registers.
In an ongoing correspondence, Abed and Aivazian continue to exchange reflections including quotidian anecdotes, readings, poems, recordings of songs, and recitations. The performance enacts the active labour of remembering, re-enacting, restructuring, and reassembling elements from their correspondence as a way to grapple with a heightened historical moment, which is characterised by a peak in the constant hum of genocidal violence that has structured the artists’ respective trajectories.
Periodically prompting spectators to join in the sonic experience, Abed and Aivazian attempt to create a space of synchrony and action, where the audience becomes a vibrating resonance chamber, transformed into a disparate choir.
About the artists /
Noor Abed (Palestine) works at the intersection of performance and film, combining forms of the ‘staged’ and the ‘documentary’. Her practice examines notions of social choreographies and collective formations, searching through the connection between the notion of ‘synchrony’ and social action. In 2020, she co-founded, with Lara Khaldi, the School of Intrusions, an independent educational collective in Ramallah, Palestine. Abed was an assistant curator in documenta fifteen, Kassel (2021 – 22), and an artist in residence at the Rijksakademie in Amsterdam (2022 – 24). She was awarded the Han Nefkens Foundation/ Museu Tàpies Film Production Grant in 2022, and her film 'A Night We Held Between' was selected as a first-prize winner of the e-flux Film Award (2024). Abed's book 'Stars at Midday' was published by Occasional Papers in October 2024.
Haig Aivazian’s practice grapples with the metamorphic nature of 3 technologies: artificial light, computation and law. He examines ways in which the administration of light and darkness makes and unmakes persons and transforms material conditions of architecture and geography —how they are inhabited and moved through by humans, animals, objects, machines and other strange creatures. Aivazian was Artistic Director of Beirut Art Center (BAC) from 2020 to 2022, where he founded and edited thederivative.org.
Further Info
‘Nothing will remain other than the thorn lodged in the throat of this world’ was initially commissioned by Mophradat for Read the Room Festival, Kaaitheatre, Brussels 2024.
Event Details
Thursday 25 September, 6—8pm
Tickets
This event is free and we encourage you to book a ticket in advance.
Tickets will be available from August. Please check our social channels, newsletter and website for updates.
Access
The performance will take place on the ground floor.
5 Florence Street has step free access and a lift.
Accessible toilets are available.
The nearest subway station is Bridge Street, a 14 minute walk away.